Que pasa trainslation4/8/2023 ![]() This hypothesis neglects to explain the presence of scores dating from 1780, that Spanish infantry already marched at double speed before the French army did and French musicologist usually refers the bullfight-related movements or themes, peculiarity that does not make sense since in Spain it was associated with bullfighting a long time later.Ī hypothesis based on the dance's free figures and rhythm states that its binary rhythm and moderated movement points to an origin in traditional Spanish music and dances of the early 16th century. Supporters of this hypothesis, mostly French musicologists, suggested that pasodoble was a way for the French to portray the techniques used in Spanish bullfights. It is said to have emerged from southern French culture during the 1930s. The modern steps often contain French terms, but the dance resembles the nature of the bullfight. It is calimed to have both Spanish and French characteristics. One hypothesis suggests, based on the etymology of the name, that it comes from the French "pas-redouble", a form of speedy march of the French infantry during the late 18th century. The facts known about it from historical evidence are that it was written as early as the 18th century, since Spain has pasodoble scores dating back to 1780 that it was incorporated into comedies and adopted as a regulatory step for the Spanish infantry and that the music was not introduced into bullfights until the 19th century. The origin of this passionate form of music is disputed. The dance can be similar to the one-step, except for the speed and number of steps given. Besides this, almost all motions and figures are accepted, which allows space for dramatization. The left hand of the male and the right hand of the woman must remain united almost permanently. The dancers must remain one in front of the other, and keep their bodies parallel to each other at all times, lining slightly to the left. In the dance form is very free regarding figures. In modern Spain, the most prolific composition of pasodobles is happening in the Levantine coast, associated to the festivals of Moors and Christians. Each region has developed its own subgenre and personal style of pasodoble, adjusting some formal aspects of the structure to fit their local musical tradition. ![]() Pasodoble as we know it started in Spain but is now played in a wide variety of Hispanic nations. The different types of pasodoble- popular, taurino, militar- can vary in rhythm, with the taurine pasodobles being the slowest and the popular being faster and often incorporating voice. The last segment of the pasodoble is usually "the trío" strongly played. Its musical structure consists of an introduction based on the dominant chord of the piece, followed by a first fragment based on the main tone and a second part, called "the trío", based on the sub-dominant note, based yet again on the dominant chord. Both the dance and the non martial compositions are also called pasodoble.Īll pasodobles have binary rhythm. This military march gave rise recently to a modern Spanish dance, a musical genre including both voice and instruments, and a genre of instrumental music often played during bullfight. Its speed allowed troops to give 120 steps per minute (double the average of a regular unit, hence its name). Pasodoble ( Spanish: double step) is a fast-paced Spanish military march used by infantry troops. ![]() ( Learn how and when to remove this template message)
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